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| 电影美学的学术概念、学科体系和理论资源 |
| The Academic Concept, Discipline system and Theory Resources of Movie Aesthetics |
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| DOI： |
| 中文关键词: 电影美学；学术概念；学科体系；理论资源 |
| 英文关键词: Film Aesthetics; Academic Concept; Discipline System; Theory Resources |
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| 中文摘要: |
| 当下电影美学话语仍处于多元化的泛美学状态。作为学术概念的"电影美学"有待明确界定，应与相关相近的"电影学"电影理论"电影艺术"电影文化"等概念有所区别。作为学科门类的"电影美学"的学科体系应逐渐明晰，以其学术流脉为主体。作为文体美学的"电影美学"的理论资源有两种：一种是具有哲学基础的一般美学，或广义的文艺学理论；另一种学术资源来自于电影创作实践，是自电影诞生百余年发展中实际形成的那些电影美学思想，主要是蒙太奇美学、戏剧化电影美学和纪实性电影美学。 |
| 英文摘要: |
| Film aesthetic discourse is still conducted in the state of diversified pan-aesthetics. As an academic concept, film aesthetics needs to be redefined and a clear demarcation should be drawn between it and its related concepts such as film studies, film theories, film art and film culture. As an academic discipline, the discipline system of film aesthetics should be clarified as to treat academic studies as its main concern. As stylistic aesthetics, film aesthetics has two theoretical resources: one is general aesthetics or artistic theories in its broad sense; another is the artistic practice of film creation, a series of film aesthetic thoughts formed in the hundred years history of film, as shown in montage aesthetics, dramatized film aesthetics and documentary film aesthetics. |
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